Star Song V De Profundis
High
above the village of Moustiers-Sainte-Marie in
northern Provence there hangs a huge star.
Suspended between two dramatic crags, on a chain over 700 feet long, it
has been there from at least the 13th century and possibly much
earlier. No one knows for certain when
or why the star and its chain were erected, but inevitably many legends have
grown up over the years to explain their origin, but one in particular has
gained most acceptance. It concerns a 12th century knight,
Blacas d’Aups, who was
captured by the Saracens on a crusade to the Holy Land. During his captivity he made a vow that if he
should ever return to his home village of Moustiers
he would hang the chain and star that he wore around his neck across the valley
as a token of thanksgiving.
In
1991 I wrote La Légende
de l’Étoile for organ and percussion to explore
themes of captivity and release, and since then I have written four further
Star Songs that take that legend, and other legends associated with the star,
as their starting points. Like its
predecessors Star Song V uses
material drawn from La Légende, reworking familiar musical ideas in new
guises, with significant changes of emphasis and character.
The
theme of captivity and hostage-taking is one that is still all too familiar in
the often troubled world that we inhabit today, and in this new work, subtitled
“De Profundis”,
it is not always entirely clear whether the captive/hostage finds freedom. On the surface the music is a journey from
darkness to light, from despair and imprisonment to a vision of homecoming and
joy, but perhaps it is indeed all just a vision. The work consists of three
movements or sections that run continuously, with music that draws on
traditional melodies, crusader songs, Gregorian chant and hymns still heard in Moustiers today. The first section moves between moods of
anger and despair to more reflective musings on death or release. The second takes us onto the battlefield (of
the mind or in reality – who knows?) with music that has great energy, drama
and vividness, with a quiet, still centre of prayer and dreams of home. The final section is inspired by the
mountains, plateaus and warmth of the beloved Provence; but is the final paean
of praise a celebration of homecoming or just another vision of hope?
Star Song V was commissioned by the Sheffield Philharmonic
Orchestra, and first performed by the orchestra on November 12th
2005 in the Firth Hall, Sheffield under the direction of John Pearson.
© Christopher Brown 2005